Blog Archive

Wednesday, October 12, 2022

September Screenings: Top 10/Bottom 5

                                               Cinema Wellman: 

September Screenings


Total Films Screened in September: 72

Current 2022 Total: 658

Current All-Time Total: 7,775

Race to #10,000: 2,225 to go!



All 72 titles screened in September:

πŸ‘


587

Fractured

2019

NR



588

I Was a Teenage Zombie

1987

NR



589

Me Time

2022

R

πŸ‘


590

It's in the Bag!

1945

P

πŸ‘


591

Hit and Run

1957

AP

πŸ‘


592

Unholy Three, The

1930

P

πŸ‘


593

Memories of Murder

2003

NR

πŸ‘


594

Big Year, The

2011

PG

πŸ‘


595

Doorway to Hell, The

1930

P



596

One Droopy Knight

1957

AP

πŸ‘


597

Le Deuxième Souffle

1966

NR

πŸ‘


598

Mad About Music

1938

AP



599

Good Marriage, A

2014

R

πŸ‘


600

Gerald's Game

2017

R

πŸ‘


601

Drunk Stoned Brilliant Dead

2015

NR



602

Futile and Stupid Gesture, A

2018

NR

πŸ‘


603

Making Waves: The Art of Cinematic Sound

2019

NR

πŸ‘


604

Side by Side

2012

NR



605

Passport to Pimlico

1949

AP



606

Safety Not Guaranteed

2012

R



607

About a Boy

2002

PG-13

πŸ‘


608

Dam Keeper, The

2014

G

πŸ‘


609

Cavedigger

2013

G

πŸ‘


610

Deluge

1933

NR

πŸ‘


611

Man in the Glass Booth, The

1975

PG



612

Adventures of Baron Munchausen, The

1988

PG



613

Best Offer, The

2013

R



614

Catcher Was a Spy, The

2018

R



615

Decline of the American Empire, The

1986

R



616

Angela's Ashes

1999

R


πŸ’£

617

Last Tycoon, The

1976

PG

πŸ‘


618

200 Motels

1971

R



619

Blood Money

1933

P



620

Ghosts...of the Civil Dead

1988

NR


πŸ’£

621

Burn!

1969

R



622

Fallen Sparrow, The

1943

P



623

House of Bamboo

1955

AP



624

Billy Liar

1963

NR



625

Shimmer Lake

2017

NR

πŸ‘


626

Downfall

2004

R

πŸ‘


627

Film Unfinished, A

2010

R

πŸ‘


628

Extinction

2018

NR



629

Triumph of the Will

1935

NR



630

Roommates

1995

PG

πŸ‘


631

Heavenly Creatures

1994

R

πŸ‘


632

Trip, The

2021

NR

πŸ‘


633

El Camino Christmas

2017

NR


πŸ’£

634

Moonfall

2022

PG-13



635

Firestarter

2022

R


πŸ’£

636

Cell

2016

R



637

Sometimes They Come Back

1991

R


πŸ’£

638

Maximum Overdrive

1986

R

πŸ‘


639

Banksy and the Rise of Outlaw Art

2020

NR

πŸ‘


640

Banksy Most Wanted

2020

NR

πŸ‘


641

Made You Look: A True Story About Fake Art

2020

NR



642

Velvet Buzzsaw

2019

R



643

Kind Lady

1951

NR

πŸ‘


644

Burden, The

2017

NR



645

Railway Station

1980

NR



646

Reckless Eyeballing

2004

NR

πŸ‘


647

Geometria

1987

NR



648

Robots of Brixton

2011

NR

πŸ‘


649

Don't Say a Word

2001

R



650

Shirley Valentine

1989

R



651

I Never Promised You a Rose Garden

1977

R



652

Baise-moi

2000

NR



653

Dam Busters, The

1955

AP



654

Dreamcatcher

2003

R

πŸ‘


655

Time for Burning, A

1967

NR

πŸ‘


656

Daughter from Danang

2002

PG

πŸ‘


657

Street Fight

2005

NR

πŸ‘


658

Genocide

1982

PG




The Bottom 5

September was kind of an odd month when it came to the bombs. The oddity was that there were only five πŸ’£πŸ’£πŸ’£πŸ’£πŸ’£ movies that earned that “distinction” this month. It’s usually more than that, so I guess I had a decent movie month! Here are those five and a brief explanation of why they’re here.  Most are to be avoided at all costs. 



#5: Cell (2016)

I have now seen 41 films that have been adapted from works of Stephen King. This was number 39. That’s about the only positive thing I have to say about Cell. 

An unexplained signal turns everyone on their cell phone at the time into mindless zombies who then go on an apocalyptic murder spree. You’d think that would be entertaining, but it’s not. 

It’s really just another zombie movie, and not a good one at that. There are all the usual tropes including the old “approaching someone from behind thinking they’re okay only to have them turn and reveal that they’re a zombie” chestnut.  

There’s also the awful cliche of reuniting with a family member hundreds of miles away without the benefit of any communication during a global catastrophe. Can we stop with that? 

John Cusack wanders around through half of this wearing a black ski cap tightly pulled down over his head. Maybe he was trying to hide the fact that he was in this movie.



#4: Moonfall (2022)

Director Roland Emmerich has made a career out of destroying the earth.  He’s to blame for Independence Day, The Day After Tomorrow (talk about a ridiculous family reunion!), White House Down and Independence Day: Resurgence. 

If you watch one of his movies, you know what you’re going to get. I knew what I was going to get, and I got it. So this one is on me. 

If it’s not a comet, it’s an asteroid. If it’s not an asteroid, it’s a meteor. If it’s not a meteor, something’s up with the moon. Here’s what IMDb has to say: “A mysterious force knocks the moon from its orbit and sends it hurtling on a collision course toward earth.” So in this one, something’s up with the moon. 

Now I enjoy science fiction. I like it a lot. And I realize it’s called “science fiction” and not “science fact.''  BUT…can we have some real science sprinkled in at some point during these movies?!?!? Make at least some aspects of it possible or even believable?  Just a little?

There were some parts of this that were so preposterous I couldn’t get past them. And Patrick Wilson is in it and I hate Patrick Wilson. You know why I hate Patrick Wilson? Two words. Hard Candy. I know it was a movie and I know he was playing a part, but….nope!



#3: Burn! (1969)

Why oh why do we have so many movies about COLONIZATION!!!!! What was going on in the late 60s and early to mid 70s and colonization movies?! Was it something to be celebrated 60 years ago?!

The only reason I watched this is because it was on my list of cult movies that I’ve been going through. I knew I was going to hate it going in because Marlon Brando is in it (he’s awful!) and, you know, the colonization bit. 

I honestly can’t think of one reason why anyone would want to watch this. 



#2: The Last Tycoon (1976)

Something else too many movies were made about (and very few good ones) is moviemaking. Boy, does Hollywood love to pat themselves on the back while trying to tell us that what they do is way more important than it actually is. 

This was nominated for an Oscar for its art direction-set decoration, and I’m a fan. I love that and pay attention to it. Unfortunately everything else in this is bloated and overdone. 

Talented writer, good director, more than capable cast and…trash. It happens. 



#1: Maximum Overdrive (1986)

Coming up at the end of the month is our first Halloween episode and we’ll be taking a look at the Top 10/Bottom 5 Movies adapted from the works of Stephen King. 

I have a strong feeling that this is going to end up on that Bottom 5 list as well, so I won’t say too much here other than I was rooting for all of the machines while I was watching this. 

This was actually directed by Stephen King himself. When asked why he hasn’t directed a movie since, his reply was, “Just watch Maximum Overdrive.”

More on this mess later.  Let’s move on to the TOP movies screened in September!




The Top 10


There were a total of 34 films in September that earned the πŸ‘ in my database.  As usual, I have done my best to narrow them down. Here are the ten I considered the best or most interesting. Maybe worth a view if they sound good to you. The platforms for all films, as always, are listed at the end of this post.

We’ll start with a Christmas movie! A Christmas movie?! Yes, a Christmas movie!! πŸŽ„




#10: El Camino Christmas (2017)

I stumbled across this quirky little bit of business while I was looking through Netflix for stuff to add to my neverending list. 

I saw the poster, looked it up on IMDb, saw a rather confusing synopsis, and decided to give it a shot anyway. Mostly because of Michelle Mylett who I love in Letterkenny. Tim Allen, Vincent D’Onofrio, Jessica Alba, Emilio Rivera, Kurtwood “Robocop” Smith, and Dax Shepard are along for the ride. 

This is a silly little comedy with interesting characters. The “twist” is something you’ll see coming a mile away, but it’s not a psychological thriller, so it’s not that big of a deal. It’ll give you a few laughs and it won’t take much of your time since it’s only a scrawny 89 minutes. 




#9: A Film Unfinished (2010)

During the same month I screened Leni Riefenstahl’s infamous propaganda film The Triumph of the Will, I also watched A Film Unfinished which also deals with the Nazi propaganda machine. 

A Film Unfinished details propaganda films that were shot in the Warsaw Ghetto during the war. The Nazis staged scenes showing Jews in the ghetto living comfortably and eating well. This was obviously not the case. In the two and a half years the ghetto was in operation, 80,000 Jews died there. Many from starvation. 

This film is chilling at times, especially when it intercuts scenes from the propaganda film with scenes of how life really was for those imprisoned in the ghetto.  

If you’re a fan of WWII history, I think you’ll find this documentary very interesting. Propaganda can be such a powerful weapon. 



#8: Downfall (2004)

I have to admit that there is a scene in Downfall that I had seen dozens of times. I had never seen the movie, never heard of it, when I saw a comedy bit on YouTube that features a pivotal scene in the film.

There is an extremely tense scene in the film where Hitler, played by the amazing Bruno Ganz, gets bad news about the war and goes on a tirade. You can’t take your eyes off of Ganz as he explodes in fury and lashes out at his generals. It’s a phenomenal scene. 

Now, the YouTube bit has the same video and the same audio, but the subtitles have been changed. Hitler is no longer losing it over the war, he is furious because he’s a Cowboys fan and they’ve just lost to the Giants. It’s incredibly funny, and there are several versions. In one, Hitler is lamenting the breakup of the band Oasis. 

Funny YouTube parodies aside, Downfall is a tremendous piece of filmmaking that shows the very end of the Third Reich. And that wasn’t pretty at all. 

 



#7: Le Deuxième Souffle (1966)

Le DeuxiΓ¨me Souffle or The Second Breath is a French noir film that has a familiar plot to it. A gangster escapes jail and makes plans to get back into the crime business, but he’s pursued by a determined inspector. 

Directed by the great Jean-Pierre Melville, this is a great cat and mouse noir movie that keeps the viewer on their toes throughout. 

Paul Meurisse is exceptional as the police inspector, the cinematography is crisp, and the music is very French New Wave. I love heist films, and have seen a ton, but never a PLATINUM heist!

Bien fait, Monsieur Melville!




#6: Fractured (2019)

With the “expansion” of moviemaking over the past decade, there is so much content out there now that it’s sometimes hard to keep your movie head above water. I’m convinced that 85% of films made by “streamers” and other non-studio platforms today wouldn’t have been made 20 years ago. Twenty years ago, it was in the theater, or “straight to video.” Now it’s hard to keep track of what’s what. 

I guess the point I’m trying to make is that Fractured is not a “theater” movie. I’m not saying it’s bad at all! Heck, it’s on my Top 10 list for the month! It’s just that you can find movies everywhere these days. This one is kind of like a long episode of The Twilight Zone. It’s difficult to explain. 

In any event, this was pretty cool. I’m just going to give you the IMDb synopsis and let you watch on your own if interested. “A couple stops at a gas station, where their 6 year old daughter’s arm is fractured. They hurry to a hospital. Something strange is going on there. The wife and daughter go missing.” 

Hospitals are so creepy. Even when nothing strange is going on there. 



#5: The Trip (2021)

With a quick check on an Interwebs translator, “I onde dager - til doden skiller oss ad,” means “In evil days - till death do us part.”

In English, this movie is titled The Trip, and it’s an absolute blast. 

Once again, IMDb: “A dysfunctional couple head to a remote cabin to reconnect, but each has intentions to kill the other. Before they can carry out their plans, unexpected visitors arrive and they face greater danger.” This is a comedy, albeit a black comedy. 

Friend of Cinema Wellman, Noomi Rapace, stars alongside Aksel Hennie as the couple in need of much more than a marriage counselor. 

The Trip is ultra violent and pretty funny. The “unexpected visitors” are ones that you do NOT want knocking on your door. That’s for sure.

We love you, Noomi!




#4: Banksy and the Rise of Outlaw Art (2020)

I’m a big Banksy fan. I love pretty much everything about Banksy. I love the politics behind him, I love the snark. I’ve seen several documentaries about Banksy, and this was exceptional.  

Much of the film deals with the fact that Bansky is still a mystery. Is it one person? Is it a team of people? I actually don’t care at all, and I’d rather not know. They also cover the recent “prank” Banksy pulled at Sotheby’s with his “Girl with Balloon” painting. As soon as the gavel came down and the painting was sold for $1.4 million, it began to shred itself. This was brilliant! 

I loved this movie because I got to look at Banksy art for a couple of hours. If you’re also a Bansky person, check out this doc along with Banksy Most Wanted and Exit Through the Gift Shop (most excellent!).

Banksy also created “Dismaland” which was a pop-up art exhibit in England that was an apocalyptic theme park. Absolutely brilliant!

I wish I had a chance to visit. Looks like it would be right up my alley. 





#3: Gerald’s Game (2017)

“Some Games You Play. Some You Survive.”

Based on a Stephen King novel, Gerald’s Game centers on a married couple who want to add some spice to their love life. That spice comes in the form of a trip to a remote lake house and some handcuffs. 

Carla Gugino is excellent as the wife. She is handcuffed to the bed by her husband played by Bruce Greenwood. Things barely begin for them when Greenwood suffers a heart attack and dies, leaving Gugino handcuffed to the bed.

What follows is a survival story in more ways than one. It’s one of those “what would you do?” movies as you suffer along with Gugino’s Jessie as she struggles to free herself from her confinement. 

The mode of storytelling is very interesting as it features an alive version of the husband and an untethered version of herself at odds with each other as they talk to Jessie. The tension builds as time goes on. There’s a hungry dog that wanders into the house, there’s something else that gets into the house, and there are things happening that really aren’t happening. There’s also a horrible abuse story in Jessie’s past that she relives as she tries to extricate herself from this harrowing situation.

This is not a relaxing watch by any means. 



 


#2: Making Waves: The Art of Cinematic Sound (2019)

This documentary film by Midge Costin takes a look at cinematic sound. It’s an aspect of movies that many casual fans take totally for granted, yet it’s extremely complex and important to the overall final product. 

There’s enough movie history (and clips) for film geeks, and there’s enough tech for the techies out there. 

There are so many different aspects to cinematic sound. I loved how the filmmaker explained that sound for the movies is like an orchestra combining to create one sound. Three sections; voice, sound effects, and music, all have subsections. For example;  production recording, dialogue, sound effects, ambient sound, and sound created by foley artists. All of that mixes with the music in a cohesive way, if done correctly. 

It was nice to see big name directors talking about how essential quality sound is to making a film. Seeing how all these artists and technicians pull together to create the sound that goes with the images I love was a real ear opener.





#1: Drunk Stoned Brilliant Dead (2015)

I’ve always felt that the “Family Tree” of comedy in the United States (at least for people my age) is firmly rooted in the National Lampoon. 

The magazine was published from 1970-1998 and I picked it up as a teenager as a “hardcore” version of MAD Magazine, which I loved. 

National Lampoon’s Animal House came out in 1978, when I was in 1oth grade. So Lampoon is in my wheelhouse.  

This informative and entertaining documentary centers on Doug Kenney who co-founded the magazine in 1970. Kenney’s story is yet another sad story featuring brilliance combined with drug abuse ending in a mysterious death. The film deals with this darkness, but the majority of it explains how things fell into place for this cornerstone of American comedy. 

Watching this was like paging through all of my old issues. I was reminded of how offbeat, odd, and dirty it could be. Be warned that the comedy in the magazine (and this film) is not for the faint of heart. It’s so cringy, and yet so hysterically funny. 


                         

This is a recreation of a magazine cover. 

The original caption was “If You Don’t Buy This Magazine, We’ll Kill This Dog”

It got them in a lot of trouble! 

    


Well, that’s the breakdown for September. Delivered to you as always, without spoilers. If you want any of these spoiled, I’d be more than happy to oblige. Just drop me an email at cinemawellman@gmail.com



Interested in watching any of these films? Here’s where I found them:


Platforms

Here are the platforms on which I screened this months selected 15


Cell - freevee

Moonfall - HBO

Burn - hoopla

The Last Tycoon - kanopy

Maximum Overdrive - Amazon Prime Rental ($)



El Camino Christmas - Netflix

A Film Unfinished - hoopla

Downfall - hoopla

Le Deuxième Souffle - Netflix

Fractured - Netflix

The Trip - Netflix

Banksy and the Rise of Outlaw Art - hoopla

Gerald’s Game - Netflix

Making Waves: The Art of Cinematic Sound - Amazon Prime

Drunk Stoned Brilliant Dead - hoopla





Follow Cinema Wellman on Instagram and Twitter: @cinemawellman 


Cinema Wellman is on Spotify and YouTube!  Search “Cinema Wellman” on either and you’ll get a front row seat in the cinema. Actually, you’ll get a better seat than the front row. Front row in a movie sucks. We’ll find you a better seat. 



Coming Next Week: 

A New Episode of Which Was Worse?!?!


Creep Van vs. Bus Party to Hell

Get in that van!!!


Friday, October 7, 2022

Cinema Wellman: Origin Story II

 Cinema Wellman: Origin Story II

I had a thought immediately after posting the Cinema Wellman: Origin Story, and that thought was…I left stuff out. I actually left out several things that I thought were important to this story, and that’s why (like a lot of movies) there is a Part II. Hopefully it’s better than the majority of sequels I’ve seen over the years. I’ll try to keep it brief, also unlike the majority of sequels I’ve seen over the years. 


When I was writing about going to BU and being exposed to foreign films, I neglected to mention where I saw my first foreign films. It was in my own house on Saturday afternoons at 1:00, and it was called the “CBS Children’s Film Festival.”

Hosted by Kukla, Fran, and Ollie, it brought children’s films from around the world to your living room. It began as a special festival in 1967, running on Saturdays from mid-February to the end of March. It ran this way until 1971. Starting in September 0f 1971, it ran all year long. I’m thinking it was around this time that I became a fan.

Every Saturday, after the mandatory viewing of several hours of cartoons, KFO (Kukla, Fran, and Ollie) transported me to a different country for a new adventure. 

I got to see films from far away places like Yugoslavia, Bulgaria, Czechoslovakia, and Ceylon. All of the films featured young protagonists, so it was quite interesting for me to see how kids in other countries lived. 

I found a list on the Interwebs of all the films KFO showed and it’s actually quite impressive. They did a wonderful job choosing the movies and mixing up the genres. 

Being a fan of this show certainly made me more willing to watch international films as I got older, and I’m very glad that happened! Thank you, Kukla, Fran & Ollie!


I mentioned going to the drive-in, but I only mentioned going there to get sauced with Donny and Andrew. Truth is, I also frequented the drive-in with my parents when I was a kid. We didn’t go “all the time,” but we went enough.

I remember taking a bath and putting on my pajamas before getting into the car. There would be a cooler (no grab bag for beers!) with treats when Vanessa and I got hungry (or restless). 

We’d pull into the vast lot with the funny up and down bumps, and settle into a spot. In the old days before they broadcast the movie on the radio, we had to hook one of those old timey speakers onto the partially opened window on dad’s side. 

As it got close to darkness, people began honking their horns attempting to speed the sundown. We always laughed about that. Ray thought it was ridiculous, but we always tried to goad him into honking our horn. Every once in a while he would, and he’d crack a wry smile.  Just to humor us, I’m sure.

A memorable family drive-in was when Ray took us to see Patton back in 1970. I was eight years old, Vanessa was ten. We got there pretty late and ended up parking in the very last row, under a weeping willow tree. The branches were actually touching the car! 

The other memorable part of this drive-in visit was the fact that Patton was filled with tons of profanity. Not major league stuff…it’s rated PG, but more than enough for an eight year old. Every “shit” or “son of a bitch” spoken was awarded a side glance at Ray from the passenger seat. 

The best part about every drive-in movie with my parents was pretending to be asleep on the ride home so dad would have to carry me to bed.  Can’t beat that. That’s a keeper. 


For what it’s worth, I can make the claim that I have finished every movie that I’ve ever started. The only movie I’ve ever walked out of in a theater was Honey I Shrunk the Kids, and that’s because Lysa and I wanted ribs more than we wanted to see those kids returned to normal size. Point being that I rented Honey I Shrunk the Kids when it came out on video and watched the rest of it. I felt I needed to. 

A student once loaned me the Lord of the Rings trilogy and it took me an entire three day weekend to get through it. I’d watch for 45 minutes or so, shut it off, and go back later. I’m pretty stubborn. 

This quirk is known as the “Glengarry Rule” and is named after the 1992 film Glengarry Glen Ross. I hated that movie so much that I shut it off and returned it to the video store.

Five years later I rented it again and watched it all the way through. In for a penny, in for a pound, as I always say!


According to the Interwebs, there have been a total of 581 films that have been nominated for a Best Picture Oscar. 

I have seen 579 of them. 

The two holdouts are East Lynne (1931) and The White Parade (1934).  I have a feeling that there are a lot of movie buffs out there that have their list stalled at 579. I can’t be the only one who has attempted to see all of the Academy Award Best Picture nominees. The reason many of us are stuck at 579 is that the last two just aren’t available. I did some research and found out that the only place to find either East Lynne or The White Parade is at the UCLA Film & TV Archive. I have a feeling I’m going to end up there someday to check off these final two boxes!

Having seen almost 8,000 movies, there have to be several directors who pop up over and over. I was curious about this so I made it a “Covid Project” and added a page to the old IMDavidb (my database). 

Turns out that there are 123 directors out there that I’ve seen 10 or more of their movies!

There are 14 directors that I’ve seen 20 or more of their movies!

Then there is the rarified air. My “Mt. Rushmore” if you will. 


“I love making pictures but I don’t like talking about them.” ~John Ford


John Ford is tied for the third spot with a total of 31 films. My favorite John Ford movie is Mister Roberts, but I’m also a big fan of The Searchers, The Man Who Shot Liberty Valance, and Stagecoach. 

Ford is the absolute king of the western genre in my mind. He was one of Ray’s favorites because all of his exteriors were shot at Monument Valley in Arizona and Utah. Ray’s favorite part of a movie was always the cinematography. 


“I always like to think of the audience when I am directing. Because I am the audience.” ~Steven Spielberg


Tied with Ford in third place with 31 films is Steven Spielberg. Hands down, my favorite Spielberg film is Jaws. There is a ton of Jaws stuff in my house if you need proof. Other Spielberg films I love are Minority Report, Catch Me if You Can, and Duel. 

Funny to think that one of the most respected directors of all time was afraid he’d never work again after making Jaws. 


“There is no terror in the bang, only the anticipation of it.” ~Alfred Hitchcock


In second place is the “Master of Suspense” himself; Alfred Hitchcock. To date, I have seen 38 of Hitchcock’s films and enjoyed an overwhelming number of them. It is so difficult to pick a favorite by “Hitch,” so I’ll go with my two favorites: Rope and Shadow of a Doubt. I also love Strangers on a Train, Rear Window, and, of course, Psycho. He directed so many classics that deserve repeated viewings. 

In my opinion, you really can’t go wrong with a Hitchcock film when you’re looking for suspense. And his television series, Alfred Hitchcock Presents was excellent as well!


“Bring on the empty horses.” ~Michael Curtiz


In the first slot is Michael Curtiz. I have seen 44 films directed by Michael Curtiz, and at least half of them were watched ONLY because Curtiz directed them. I will watch anything he directed. How did he earn this stature? Well, he directed Casablanca. And Casablanca just happens to be a film that I look at as close to perfect. You give me Casablanca, I’ll watch anything and everything you do from that point on. You have earned it. Other Curtiz favorites of mine are Mildred Pierce, Yankee Doodle Dandy, and Angels with Dirty Faces. 


Not a bad Movie Director Mt. Rushmore: Curtiz, Hitchcock, Spielberg, and Ford. 144 movies and counting!


I have three tattoos, and they’re all movie related. My first was based on Donnie Darko, my second is the logo from Mad Max Fury Road, and my most recent addition is the Japanese word “Godzilla.” I’m already trying to figure out what the next one is going to be!


Something I had great fun with a couple of years ago was creating my own soundtrack for a silent movie. After watching the 1924 film He Who Gets Slapped, I decided to curate my own soundtrack and update things a bit. 

He Who Gets Slapped is a grim bit of business. From IMDb: “A bitter clown endeavors to rescue the young woman he loves from the lecherous count who once betrayed him.” The title relates to the fact that this clown, played by the great Lon Chaney, is slapped repeatedly in front of an audience as entertainment. Like I said, grim business. 

Since clowns and circuses are involved, I thought of a TOOL song that features a calliope sound titled “Intermission.” It’s a lead-in to the song “Jimmy” on the album Aenima. I thought that would have been a cool song to use with that film. I then decided to build an entire TOOL soundtrack for He Who Gets Slapped. 

I loved the way it turned out, and even showed it to my friend Andy, who approved. It’s not quite Dark Side of the Moon/The Wizard of Oz, but it matched up perfectly on quite a few occasions and it was a fun project. 


Speaking of projects, those are my “books.” My “Oscar Books.” This was also a Covid project. Within those binders (10 years at a time) is the history of the Academy Awards. I printed out the nominees for each year and I highlight them in the books as I see them. OCD much?

Thank you to Dakota for her help designing and making the covers. Each cover features the titles of 10 of my favorite films from that time period. That’s why the pink binder doesn’t have a cover yet. That won’t be ready to go until 2027. 


It’s funny that the guy who grew up loving movies, the guy who majored in film, the guy who has watched close to 8,000 movies, the guy who has now started a movie podcast neglected to mention that he got to work on a movie!

It happened last fall, and it happened because my friend Andy has a friend, Ross, who is a movie producer. They were talking one day and Ross was lamenting that he needed a teacher for his next production. Andy told him right away, “Oh, I have a teacher for you.” 

The film is titled “The Wound Wood” and it’s currently in post-production. It is a horror movie and was filmed in a mansion set for demolition in Concord, MA. 

It’s one of the best things I’ve ever taken part in. Just amazing. It’s hard to explain all the feelings I had on set. I was like a kid in a candy store. I had so many questions, but I tried to keep them in check as best as I could.

The experience was an unforgettable one. The young man I got to work with, Hudson, was amazing. He’s incredibly smart, so my job was actually pretty easy. We had great fun, and we still keep in touch. I like to think that I made a friend for life on that set. 

One of the best parts was being moved around the mansion into different rooms to act as our “classroom” to accommodate filming. We were all over that place, and each and every spot in which they put us ended up having its own distinct charm. We made the best of it. 

The only thing I DIDN’T like about working on the movie was the schedule. After 33 years of working the same hours every day, this was a jarring change to that. 

We wouldn’t get our call sheets for the next day until late the night before. I loved seeing that I was needed on set at 7:00 am, or 8:00 am. What I didn’t like was a call time for 1:00 pm, or 3:00 pm! Going to work at three in the afternoon?!? Madness!

When the film comes out, I will dedicate an entire episode to it with many more details, pictures, and behind the scenes info!

Now THAT should do it. That’s everything that has led me to my current place. Writing a movie blog and hosting a podcast about movies. Everything I’ve mentioned in these two episodes has led me here. 

And I’m glad you’re here with me. 



Coming Soon on the Cinema Wellman Podcast:


*September Screenings: Top 10/Bottom 5

*A Beginner’s Guide to Cult Movies

*Stephen King Adaptations: Top 10/Bottom 5


Follow us on Instagram and Twitter:

@cinemawellman


Listen on Spotify, watch on YouTube:

Search “cinemawellman”


Email us: cinemawellman@gmail.com


Until next time…take care!


September's Best & Worst

  September’s Best & Worst Hello and welcome to Cinema Wellman. I am your host David, and today we’re going to reveal the very best an...

Search This Blog