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Monday, October 28, 2024

Nightmares on Elm Street

 Nightmares on Elm Street

Hello and welcome to Cinema Wellman. I am your host David, and today we’re going to be doing a special Halloween episode.


Last October we screened and ranked every Friday the 13th movie, and today we’ll do the same with our old friend Freddy Kreuger and the Nightmare on Elm Street series.


If you include the crossover movie Freddy vs. Jason (and we certainly do!), we have a total of nine movies in our ranking today.


I re-screened the seven I had already seen plus the two that were new to me in chronological order while taking copious notes. 


Since this order is different, it may seem like I’m complaining about stuff that may not have “happened” yet, but I’m sure you’ll be able to follow.


We will begin with the worst, as always, and in this case the worst is the very first SEQUEL which was rushed to theaters only a year after the original made its impact.


That’s never a wise decision. 




A Nightmare on Elm Street 2: Freddy’s Revenge (1985)

R/87 m/IMDb: 5.4/directed by Jack Sholder

Body Count: 10

Also directed by Jack Sholder: The Hidden, Alone in the Dark


*Special appearance by CLU GULAGER?!


*Freddy driving a school bus is pretty spot on. School buses are rolling nightmares to begin with.


*High school is an absolutely terrible place. In this movie, and in ALL movies.


*An unpacking montage? In an 87-minute movie?


*The basement of this house is insane. The furnace looks like it could heat a factory.


*Sadistic gym coach should be in prison. There’s a shower scene in this movie that was very cringy and solidified my prison idea for the gym coach.


*Freddy tries to get a teen to kill for him? What happened to the dream thing?

*” Animals just don’t explode for no reason.” - Clu Gulager


*The singing jump rope girls always terrified me.


*Did Freddy kidnap and kill all 20 kids at the same time? Is that why he’s driving the bus?


*Parents hosting a party where teenagers are drinking, and the parents LEAVE the party to go and have sex. 


*I blame the parents for everything that happens in ALL of these movies. 


*This is what happens when you make a sequel one year after the original. This was nothing but a money grab.


*No real ending, just a setup for the third movie, which was no surprise at all, even in 1985.





Wes Craven’s New Nightmare (1994)

R/112 m/IMDb: 6.4/directed by Wes Craven

Body Count: 7


*See if you buy this, because I didn’t: we have Heather Langenkamp as Heather Langenkamp, Robert Englund as Robert Englund, and even Wes Craven attempts to act as Wes Craven. He fails. 


*Turns out this is a world where the Nightmare on Elm Street movies exist as movies, and now a real-life demon is using the fictional Freddy to kill all new people. 


*How on earth did R.E.M. allow a character to sing “Losing My Religion” in this movie? How!?


*A character strolls into a morgue to identify a body and there are people being cut open and bodies all over the place. Is that how morgues are run?!


*Dan Dority from “Deadwood” is in this! It did not help!


*John Saxon as John Saxon!!!! Where will it end?!?!


*There’s a kid actor in this that is absolutely terrible. I hate to say that about kids or actors or kid actors, but it’s the truth. 


*Wes Craven cannot act at all. You’d think that a director who has directed some of the greats would have picked up some tips along the way and could at least fake it. He cannot. He can’t even play himself convincingly. 


*A script is shown on the screen that’s the actual script of the movie. And they’re “reading it.” 


*Vomit. We have multiple vomits. 


*There is WAY TOO MUCH tongue in this entire series! WAY TOO MUCH!!!


*How many times are they going to have Freddy blow up?


*At the end Heather gets a script that’s the script to THIS MOVIE!!!! It’s word for word. Get it?!? This was some self-serving masturbatory nonsense from start to finish. 





A Nightmare on Elm Street 5: The Dream Child (1989)

R/89 m/IMDb: 5.1/directed by Stephen Hopkins

Body Count: 5

Also directed by Stephen Hopkins: Predator 2, Judgement Night, 

Blown Away, Lost in Space


*Englund once again with top billing, and “over” the title!


*Opens with an unnecessary shower scene, of course. Can’t be part of this genre in the 80s without one, sad to say. 


*Unbelievably unrealistic high school graduation scene! I’ve been to high school graduations, and they ARE NOT RUN LIKE THAT!


*Really creepy birth/baby sequence. I’ve been to two births, and they were NOT this bad!


*Broken record, but these parents are the worst parents in the history of film!


*” I don’t know how, but he’s back!” I hear you! I don’t know either!


*Freddy’s mom was a nun who was assaulted by the lunatics at the asylum. That’ll do it. 


*Other than the dream sequences, this one is kind of boring. 


*Can’t help but think that Freddy would have had so many ample opportunities to get me. 


*It seems like his victims kill him again, but we know that can’t be true. 


*Jacob, the kid, is just as creepy as Freddy. 


*Baby Freddy goes back inside num mom, and he then claws his way out? Why did you do that Freddy? Is any of this her fault? That’s just unwarranted. 


*And yet another fake happy ending. So lazy for this series, and genre for that matter. 





Freddy’s Dead: The Final Nightmare (1991)

R/89 m/IMDb: 4.7/directed by Rachel Talalay

Body Count: 3

Also directed by Rachel Talalay: Tank Girl, Ghost in the Machine


*Why does a 90s movie have such an 80s soundtrack? If you’re thinking, “It’s only 1991,” that is not an excuse. 


*This starts with a quote from Friedrich Nietzsche?! What, the Bible isn’t good enough for Part 6?!?


*Wait, this takes place 10 years in the FUTURE? So, 2001? Where were my flying cars, then?


*At least they now acknowledge that all the kids in Springwood are dead, and the parents are suffering from psychosis.  Well-deserved psychosis if you ask me. 


*Freddy as the Wicked Witch? How did they not get sued?!


*Never liked Breckin Meyer, always liked Yaphet Kotto.


*Is this just about Freddy getting a new “Dream Master?”Again? That was only two movies ago!


*Springwood appears to have 1890s style industrial pollution for some unknown reason. 


*Good GOD, Tom Arnold and Roseanne Barr are in this? Why? Why was that done?!


*In this version of the story, Freddy has a daughter who was taken away from him (for good reason!).


*There was a scene where Freddy dragged his razor fingers across a chalkboard and that was the scariest part of this movie for me. 


*They brought Depp back to shoot a fake anti-drug PSA? The old egg/brain thing. 


*There’s a video game sequence in this mess that goes on for way too long. I realize it’s a sign of the times, but it was still awfully long for what it did. 


*This may have been written while it was being shot. I’ll bet there was a lot of, “Okay, let’s do that!” during this production. 


*Yaphet Kotto fights Freddy Krueger?!? How do I not remember this??? What? This was new to me? No wonder I don’t remember seeing it. Score one point for my addled brain!


*Daughter of Freddy goes inside Freddy’s brain. Not a good place for anyone. 


*” Son of 100 Maniacs!” was chanted to Freddy at school when he was a kid. He should have killed all of those kids as well. 


*Fratricide! Daughter’s line when shoving a lit pipe bomb into Freddy’s chest ....” Happy Father’s Day!”


*And right before he explodes, he breaks the 4th wall and says, “Kids.”


*Last line of the film is “Freddy’s Dead,” and the end credit sequence features Freddy’s “Greatest Hits” so to speak. Looked like this was definitely meant to be the last one, and I guess it kind of is even though there were two more. Sort of. 





Freddy vs. Jason (2003)

R/97 m/IMDb: 5.7/directed by Ronny Yu

Body Count: 22* (*=shared)

Also directed by Ronny Yu: The Bride with White Hair, 

Bride of Chucky


*Exposition featuring more TONGUE!


*Flashbacks? Really?


*It took all of 1:33 for them to show some gratuitous nudity.


*Jason’s mother brings him back because the children on Elm Street have been naughty and his work isn’t done and, what?!


*So happy Jason is killing a lot of deserving teenagers, especially that first guy. What a douche.


*Dumb ass cop shows up at a crime scene and sees three screaming girls, one of whom is naked and covered with blood and he asks, “Do you need any help?” Blood girl’s spot on reply is, “What the fuck do you think?” 


*Why so much exposition? Who did they think was watching this?


*I prefer Jason to Freddy. He’s more justified in his actions.


*My favorite scene is when Jason is confronted by two assholes in a cornfield. He twists one’s head around and machetes the other. Deserved!


*Both Jason and Freddy are better than the cops and parents in this series. Wait. Is that the point of all of this?!


*More tongue?!


*Actual dialogue: ”How is that possible?” “Anything is possible.” Is that how they get away with all of this?


*Style points for Jason cutting a guy in half!


*If cannabis produced the kinds of hallucinations portrayed in films it would cost a million dollars an ounce. 


*Jason was tormented and bullied at camp. Bullies deserve Jason. 


*Some of Freddy’s lines in this are gross and racist.


*Jason kills Freddy with Freddy’s own razor hand/arm and Freddy is then decapitated by the final girl with Jason’s machete.


*This crossover film ends with Jason walking out of Camp Crystal Lake carrying Freddy’s severed head. As he walks by, Freddy looks into the camera and winks. 





A Nightmare on Elm Street (2010)

R/95 m/IMDb: 5.2/directed by Samuel Bayer

Body Count: 7

Also directed by Samuel Bayer: music videos for 

“Smells Like Teen Spirit,” and “Boulevard of Broken Dreams”


*” I can sleep. I just don’t want to.” And I don’t want to watch, and yet here we are. 


*Pre-title sequence includes a guy cutting his own throat in a diner. Harsh.


*Connie Britton?! Say it ain’t so!


*There’s a “mother/daughter” combo in this movie and the actresses are, at most, eight years apart. 


*Have horror film set directors ever been in a real attic or a real basement?


*Jackie Earle Haley is excellent, and a great choice to play Freddy, but this is all kind of unnecessary.


*There are so many boys climbing into so many girls’ second story bedrooms in this series.


*”If you die in your sleep, you die for real.” Please…


*We’re going to redo the hand between the legs in the bathtub bit? Of course we are.


*I still prefer all of the old-style practical FX to this.


*More tongue and more licking?! Seriously?!


*Springwood actually DOES have 1890s factories!


*”Why didn’t you go to the police?” The kid is right! Valid question!


*I’m tired of all of the “What if I’m the only one” nonsense in this series. 


*Jackie Earle Haley’s makeup is tremendous.


*” How’s that for a wet dream?” That line again? Do we need to recycle everything?


*Another fake happy ending?! Come on! To what end?


*Connie Britton deserved better. 






A Nightmare on Elm Street 4: The Dream Master (1988)

R/93 m/IMDb: 5.6/directed by Renny Harlin

Body Count: 7

Also directed by Renny Harlin: Die Hard 2, Cliffhanger, 

The Long Kiss Goodnight, Deep Blue Sea


*Starts with a Bible verse…yikes.


*Englund once again has top billing. He must have had a good agent. 


*One of the stars is named “Tuesday Knight.” Is this an adult film?


*Once again, and I can’t stress this enough…high school sucks. 


*The dog’s name is Jason, and he pisses fire! 


*Nude girl inside the kid’s waterbed? Weren’t you suspicious of that, high school boy? How would she breathe? 


*Nope, just Freddy. “How’s that for a wet dream?” Wonder if they’ll recycle that joke…


*Could they make these parents any worse? I mean, really. 


*”Sorry you and your tennis pals torched this guy and now he’s after me!” Right?!?!  100% correct!


*Not every film in this series is a winner, but they all did an excellent job with the nightmare sequences. 


*Houses must be dirt cheap in Springwood, Ohio with all the dead kids and all.


*So, Freddy makes Alice the “Dream Master” since the last of the original kids are now dead and he now needs her to bring kids to him in nightmares? That actually makes sense as far as these stories go. 


*The pizza with the kids’ faces in the meatballs is absolutely wonderful!


*There’s a roach motel sequence that makes you feel terrible for the roaches that are trapped in them. If that’s possible.


*The kids claw their way out of Freddy’s body in another wild scene made without the use of CGI.


*So, Freddy is dead? Again? “Rest in hell.”






A Nightmare on Elm Street 3: Dream Warriors (1987)

R/96 m/IMDb: 6.7/directed by Chuck Russell

Body Count: 6

Also directed by Chuck Russell: The Blob, The Mask


*Patricia Arquette, “Larry” Fishburne, Dick Cavett, AND Zsa Zsa Gabor? Yes, please!


*Fishburne plays the psych hospital orderly. He appears to be the only orderly in the entire hospital.


*” Freddy’s home…” - little girl. No me gusto.


*More terrible parents, more trashy moms!


*Gotta love a psychiatric hospital that allows some patients to freely roam around everywhere while others are in solitary confinement.


*Rotting banquet with a pig that comes to life and snarls! Yes!


*Again, praise for all the quality practical effects.


*Dick Cavett is here to morph into Freddy before killing Jennifer by shoving her head into a television.

I love Dick Cavett. 


*Wouldn’t this hospital be shut down after so many patient suicides in such a short time?


*” You are the last of the Elm Street children.” At least this one tries to make sense.


*Gratuitous nurse nudity. Yikes, how old was the boy in that scene?


*Heather Langencamp is back. She was a teenager in the original, and now three years later she’s an intern at a psychiatric hospital?! How does that work?


*She is later “relieved of duty.” She’s an INTERN! Duty? What duty?


*”What a rush!” Andrew’s favorite line from the entire series.


*Love the effect of the kids' heads poking out of Freddy’s chest.


*The old false happy ending. Yawn. You’re better than this. 






A Nightmare on Elm Street (1984)

R/91 m/IMDb: 7.4/directed by Wes Craven

Body Count: 4

Also directed by Wes Craven: Scream, The Hills Have Eyes, The Last House on the Left, The People Under the Stairs, Red Eye


No surprise that this was going to be at the top of our list. It’s the first and it’s the best, by all accounts. 


*John Saxon! 


* Johnny Depp with an “Introducing” credit!


*Robert Englund is billed as “Fred” Krueger.


*Film opens with Fred crafting his iconic blade gloves.


*”You won’t need a stretcher up there; you’ll need a mop.”


*Horny/borderline rapey guys were all over this genre. Awful and gross. 


*Heavy handed crucifix incorporation!


*Fantastic practical effects throughout.


*Tina’s death on the ceiling is pretty sweet.


*The acting, including Depp, is pretty rough.


*80s voyeurism on display as we get a lingering bathtub shot from between Nancy’s legs. Wonder if they’ll recycle that bit…


*Convenient trellis leading up to your teenage daughter’s bedroom is convenient.


*” Oh, God! I look 20 years old!” Is this a comedy?


*These parents had it coming, yes? They suck!


*Maybe mom is an alcoholic because she participated in a murder? Ever think of that?


*Where the hell is this town? The weather is always perfect!


*20 kids from the SAME neighborhood were abducted and killed by Fred? Is there a police department, or just a drunken John Saxon?


*They put Depp in a midriff! Great bed death scene! 


*The tongue out of the phone receiver is brilliant. Little did we know that there would be more tongue in this series than Katz’ Deli!


*This gets a little Nancy in the horror version of Home Alone at times, but it’s still the best of the bunch!



Well, that’s a wrap for our Halloween episode and our attempt to rank all nine films in the Nightmare on Elm Street universe. 


We hope you join us again next time as we run down the Best and Worst films we screened during the month of October. I’m sure there’ll be some horror (or horrible) films to report on. 


Hope to see you in the cinema for that one, and until then; Happy Halloween, and take care.




Sunday, October 27, 2024

August & September Screenings: Best & Worst

 August & September Screenings: Best & Worst


Hello and welcome to Cinema Wellman. I am your host David, and I realize this episode is a tad late since I’ll be running down the Best & Worst movies screened here during August and September.


Those months are long gone, but these movies aren’t. And that’s a shame in the case of the first four movies I’ll be covering today. 


I wish they were long gone from my memory, but they are still there, so here we are. 


We’ll start where we usually do, and that’s at the bottom.


And this bottom contains an M. Night Shyamalan sighting, and that’s never a good sign!



Trap (2024)

PG-13/105 min/IMDb: 6.0/directed by M. Night Shyamalan


If you’ve been here before, you know how I feel about Shyamalan. 


Even though I think he’s vastly overrated and I find his movies boring, I don’t avoid his movies because I want to give him a chance to prove me wrong.


He’s yet to prove me wrong. 


Trap starts with a preposterous premise and gets more and more unbelievable by the minute.


There’s a serial killer at large that nobody knows what he looks like, yet they DO know that he’ll be at a particular pop concert that has actually been set up as a “Trap” to capture him?


That sounds even more idiotic when I say it out loud.


What follows is scene after scene that will have you saying, “Huh?” to yourself over and over.


And the fact that Shyamalan continues to insist on appearing (speaking roles!) in his own movies just makes his movies worse for me. 


He’s terrible.


A Shyamalan that isn’t terrible is his daughter, Saleka, who plays the pop star in this movie.


She wrote and performed all of the songs featured in the concert portion of the movie, and I think she did a very good job.


No need to make her pay for the sins of her hack father.


I read that dad Shyamalan said that the pitch and concept of the movie revolved around the question, “What if Silence of the Lambs happened at a Taylor Swift concert?”


What?!? 


And they throw money at that?!?



Anyone But You (2023)

R/103 min/IMDb: 6.1/directed by Will Gluck


IMDb: “After an amazing first date, Bea and Ben’s fiery attraction turns ice cold -- until they find themselves unexpectedly reunited at a wedding in Australia. So, they do what any two mature adults would do: pretend to be a couple.”


Why? Why is that the mature thing to do? Why must they pretend to be a couple? That doesn’t make any sense at all!


Premise aside, I have nothing against Glen Powell. Nothing at all. But if it seems like every movie nowadays has Glen Powell in it is because every movie nowadays has Glen Powell in it. 


He’s good, don’t get me wrong, but he’s not perfect for every part in every movie being currently produced. 


I’m also waiting for the first Sydney Sweeney movie that doesn’t exploit her body and lets her act, but I’m not holding my breath.


It kind of reminds me of when Jamie Lee Curtis started. It seemed like every movie of hers had that one nude scene or one bikini scene because it “had” to.


Jamie Lee eventually “graduated” from such scenes and roles and I’m hoping the same is true for Sydney Sweeney.


Oh, and I am sick to death of destination weddings in all of these romantic comedies lately. 


No wonder I hate rom coms. 




The Union (2024)

PG-13/107 min/IMDb: 5.4/directed by Julian Farino


The lingering question after screening this boring piece of trash was, “How do movies like this get made?”


Oscar winner Halle Berry, Oscar winner J.K. Simmons and Oscar nominee (really?) Mark Wahlberg star in this film that seems like pre-production (and all rational thought) ended once those three were cast. 


We have the film cast, so why bother with a script?


IMDb: “Construction worker Mike is thrust into the world of espionage when his high school sweetheart, Roxanne, recruits him for a high-stakes intelligence mission.”


Wait, what?


Yes. It’s that stupid.


The premise that a super-secret government organization that nobody knows even exists would need an idiot construction worker from New Jersey for this “high-stakes intelligence mission” is just idiotic. 


I knew this was going to be stupid, so this was on me, but I didn’t think it was going to be as awful as it was.


Wahlberg is terrible and can’t really act if you ask me. So, asking him to transform from a clueless working Joe into a top-notch assassin in about 10 minutes may be the dumbest part of this extremely dumb movie.


Who threw money at this?


Is it possible that there’s a movie that was WORSE than all of these movies?


Great question. And the answer is a resounding, “yes!”


Actually, much worse. 




On the Line (2022)

R/104 min/IMDb: 5.5/directed by Romuald Boulanger


When you’ve seen as many movies as I have, you’re bound to see a lot of movies that are just awful. Terrible, terrible movies. Movies that you end up hating, even!


That’s to be understood when you’re approaching 10,000 movies, but then there are movies that are part of a much smaller list; movies that flat out insult you.


On the Line is one of those movies.


IMDb: “A radio host takes a call where an unknown person threatens to kill the host’s entire family on air. To save his loved ones, the host will have to play a survival game and the only way to win is to find out the identity of the criminal.”


Mel Gibson plays the radio host, so, again, this is totally on me. 

I should have known better.


I am about to spoil everything about this movie since I don’t want anyone else to endure this dreadful cinematic experience.


Here we go:


*Gibson is a shock jock who is abusive to his listeners and staff.


*New guy, Dylan, starts work and during his very first shift he is humiliated (on air) by Gibson. He should obviously leave since no one should be treated like that, but he does not.


*Since Gibson’s character is so hated, a caller calls in and tells him he’s kidnapped Gibson’s wife and child and is going to kill them.


*For some stupid reason, the killer has the wife and child at the radio station instead of just killing them in their house where they were. 


*Gibson and Dylan wander all over the deserted radio station finding dead staff members and general malfeasance.


*Killer shows his face and is strapped with a bomb vest. When time comes to press the button, he does, and nothing happens. Then everybody but Dylan starts to laugh since it was all a big joke. Hysterical.


*Dylan gets really pissed and runs off only to be confronted by the entire staff in a stairwell. Dylan falls down the stairs, hits his head, and dies.


*Gibson is freaked out and upset, yadda yadda, and then Dylan gets up (as I expected him to) because THAT was all a big joke as well.


*The joke on Dylan (created by Gibson) was actually part of a larger prank on Gibson created by his staff to teach him a lesson because he’s such a hateful and despicable human being.


    *Movie ends with Gibson telling his staff they better be ready for work the next day. 


    *Oh, fuck you, movie. 


How about some good movies? Did I actually screen anything I can speak about in a positive way? 


I did, and here they are…




The Watchers (2024)

PG-13/102 min/IMDb: 5.7/directed by Ishana Shyamalan



Directed by whom? Am I praising the work of another Shyamalan?


I am, and it’s another one of M. Night’s daughters who did a better job directing this than he ever did in my book. 


IMDb: “A young artist gets stranded in an extensive, immaculate forest in western Ireland, where, after finding shelter, she becomes trapped alongside three strangers, stalked by mysterious creatures each night.”


This is a slow burn supernatural thriller that I found very compelling.


I’m a big fan of movies that keep me guessing and wondering where they’re heading.


I really don’t want to say anything else because I recommend you see it yourself if you’re into these types of movies and/or like Dakota Fanning. 


Parts of this were pretty creepy, and I really liked how it ended. 






The Burglars (1971)

PG/120 min/IMDb: 6.5/directed by Henri Verneuil


IMDb: “In 1970s Athens a group of professional burglars plan an emerald heist from the home of a gem collector, but a corrupt Greek police inspector is on the trail.”


We love a heist movie here at Cinema Wellman, and the French thriller Le casse, known as The Burglars in the U.S. was an unexpected treat.


It stars Jean-Paul Belmondo, Friend of Cinema Wellman Dyan Cannon, and Omar Sharif as the corrupt police inspector. 


This has everything you’d want in a 70s heist movie including some exciting stunts, most of which were done by Belmondo himself.


One of those stunts is a spectacular fall from a construction truck down a steep, rocky hillside that has to be seen to be believed.


I didn’t time it but read on IMDb that no dialogue is spoken until 10 minutes into the film, and hardly any until the 22-minute mark. 


Sign of a great heist movie! 


And there’s also a cringy death scene involving a grain silo. Yikes. 



Empire Records (1995)

PG-13/90 min/IMDb: 6.7/directed by Allan Moyle


One of my favorite things about working where I currently work is talking about movies with my co-worker Crystal. 


Some of my friends think I’ve seen “everything,” but I’m convinced that it’s Crystal who has seen “everything.”


When Crystal recently raved about Empire Records being a favorite of hers, my first thought was, “I don’t think I’ve seen that.”


IMDb: “Twenty-four hours in the lives of the young employees at Empire Records as they face the store joining a chain store with strict rules.”


I have no idea how I missed this, and I’m glad Crystal brought it up because it was a lot of fun.


Store owner Anthony LaPaglia gives off a little bit of a creepy vibe with the girls at times, but I think that’s just me. 


Debi Mazar, Rory Cochrane, Robin Tunney, and Renee Zellweger turn in excellent performances as members of Empire Records’ staff. 


It’s not all fun and games, but it’s mostly fun, and the music is tremendous.


Thanks to another side project I’m involved in, I listened to the soundtrack for this movie before I ever saw the movie. 


Good stuff.


One movie to go in this wrap up, and it’s also a music movie.


And if you’re a fan of pop music, it’s a movie that you absolutely cannot miss.  




The Greatest Night in Pop (2024)

PG-13/96 min/IMDb: 7.9/directed by Bao Nguyen 


Most music fans of a certain age remember the all-star anthem “We Are the World” which assembled anyone who was anyone in pop music at the time to record a charity single for African famine relief. 


The list of performers who gathered on the night of January 28th, 1985, in Los Angeles is truly a who’s who of music royalty.


I didn’t do the research, but I’m willing to wager that half of these musicians are in the Rock and Roll Hall of Fame. It was amazing to see them all in one place at the same time uniting for the same cause.


This Netflix documentary chronicles that historic night and gives viewers a behind the scenes look at the recording of a song we have all heard hundreds of times. 


This is a must see for any music fan.



Well, that is a wrap from here at Cinema Wellman for our Best and Worst August and September combo.


We hope you join us next time for our Halloween episode as we rank all of the films in the Nightmare on Elm Street series.


Until then, take care.





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